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GLOSSARY

EU CRM Directive definition

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What does EU CRM Directive mean?

Directive 2014/26/EU of the European Parliament and of the Council of 26 February 2014 on collective management of copyright and related rights and multi-territorial licensing of rights in musical works for online use in the internal market (the EU CRM Directive) was announced in 2012 and Member States were required to transpose the EU CRM Directive into their national laws by 10 April 2016. The aim of the EU CRM Directive was to simplify the licensing process across the EU by: • increasing transparency and efficiency in the functioning of all EU copyright CMOs, ensuring that rights holders have more say in the decision-making process and receive accurate and timely royalty payments • facilitating the multi-territorial licensing of online music • creating dynamic cross-border licensing structures to encourage further provision and take up of legitimate online music services

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Film and TV glossary C–D

Film and TV glossary C–D Film and TV glossary A–B | Film and TV glossary E–H | Film and TV glossary I–L | Film and TV glossary M–P | Film and TV glossary R–S | Film and TV glossary T–W CAP Code for non-broadcast media UK Code of Non-broadcast Advertising and Direct & Promotional Marketing (CAP Code) is the main form of regulation for non-broadcast advertisements, sales promotions and direct marketing communications. The CAP Code is written by the Committee on Advertising Practice (CAP). CAP is a self-regulatory body and its members include organisations that represent the advertising, sales promotion, direct marketing and media businesses. The CAP Code is enforced by the Advertising Standards Authority (ASA), who can take steps to remove or have amended any ads that breach these rules. See Practice Note: Advertising law and regulation. Channel 4 Channel 4 is a ‘publisher-broadcaster’, meaning that it does not have any in-house production, but instead commissions content from production companies throughout the UK. Cinematograph film...

Copyright and databases—UK/EU comparison

Copyright and databases—UK/EU comparison Background This Practice Note provides a high-level summary of key themes of comparison between the UK and EU in relation to copyright and rights in databases that have arisen since the UK exited the EU on 31 December 2020 (IP completion day). It also analyses the impact of the Retained EU Law (Revocation and Reform) Act 2023 (REUL(RR)A 2023) on copyright and databases law in the UK. For comparisons of the position in relation to other IP rights between the EU and the UK, see Practice Notes: • Patents and SPCs—UK/EU comparison • Trade marks—UK/EU comparison • Designs—UK/EU comparison IP law is significantly harmonised across the EU. Prior to Brexit, many aspects of UK IP law were harmonised with the EU regime, and certain unitary EU IP rights (such as EU trade marks and EU designs) were applicable and enforceable in the UK. While copyright is not a unitary right under EU law, much of the application of copyright as a national right in Member States...

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